Texts

‘Film is a visual representation of a mobile world. As Clarke suggests, however, film is also rendered a distinct geographic object of inquiry through its diversity of mobilities, and it is this very characteristic that invites scrutiny and provokes thought. While the very idea of landscape study, for instance, is built around observation from a fixed point of a static scene, film viewing involves the observer taking a mobile view on a mobile world.’

Tim Cresswell and Deborah Dixon, ‘Introduction: Engaging Film’

Dimitris Eleftheriotis, Cinematic Journeys: Film and Movement (2010)

Tim Cresswell and Deborah Dixon eds., Engaging Film: Geographies of Mobility and Identity (2002)

Andrew Utterson, Technology and Culture: The Film Reader (2005)

Sam Rohdie, Promised Lands: Cinema, Geography, Modernism (2001)

Martin Lefebvre, Landscape and Film (2006)

L. Charney and V. Schwartz eds., Cinema and the Invention of Modern Life (1995)

S. Aitken and L. Zonn eds., Power, Place, Situation, and Spectacle: A Geography of Film (1994)

Graeme Harper ed., Cinema and Landscape: Film, Nation and Cultural Geography (2010)

Marc Jancovich, The Place of the Audience: Cultural Geographies of Film Consumption (2003)

Gilles Deleuze, Cinema 1: The Movement-Image (1986)

Tom Conley, Cartographic Cinema (2007)

Hamid Naficy, Home, Exile, Homeland: Film, Media, and the Politics of Place (1999)

Laraine Parter and Bryony Dixon eds., Picture Perfect: Landscape, Place and Travel in British Cinema Before 1930 (2007)

David Melbye, Landscape Allegory in Cinema: From Wilderness to Wasteland (2010)

Maeve Connolly,  The Place of Artists’ Cinema: Space, Site and Screen (2009)

Neil Mitchell, World Film Locations: London (forthcoming)