Tag Archives: cinema

Upcoming event: UNLEASHED!

16 Nov

Who let the dogs out – at Genesis cinema? For our last event of the year, PASSENGERFILMS is hosting an evening of films and discussion around the violence of domestication, animal uprising, and types of nature muzzled and unmuzzled, ruled and overruled.

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Sylwia Gawel’s Polish animation Udomowienie / Domestication (2015) shows a particular dependence between a man and the exotic reptiles he owns. In a flat cluttered with aquariums, he attentively looks after his animals, yet strictly controls their behavior – until a small caiman he brings home disturbs this harmony forever. Brad McGann’s notorious short Possum (1997) places an element of the wild within the home, with a feral girl imitating the noises of wild animals, viciously biting family members, and chained to her bed at night – until her brother sets her loose. Whilst the father, a trapper, attempts to master the land, he is unable to control his daughter, an “animal” that is disrupting the family home.

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Our feature film is White God (2014). Directed by Kornél Mundruczó, this searing political fable follows the mixed-breed dog Hagen and his 13 year old guardian Lili when, due to a harsh “mongrel” fine imposed by the Hungarian government, Hagen is abandoned and subsequently leads a canine revolt across the city against his human subjugators. From the introduction of an unruly alligator to the regulated spaces of a private animal collection, to the myths of colonization on the New Zealand frontier, to the “beastly spaces” of Budapest streets overrun by a pack of four-legged rebels (in all live-action dog acting), these films explore the many ways human mastery is unsettled – and unsettling.wg2

The films will be followed by a panel discussion in the Genesis bar with Anat Pick, Phil Howell, and Jennifer Adlem. Dr. Anat Pick is Senior Lecturer in Film Studies at Queen Mary, University of London, editor of Screening Nature: Cinema Beyond the Human (2013), and author of Creaturely Poetics: Animality and Vulnerability in Literature and Film(2011), on the more-than-human dimensions of ethics and the marking of vulnerability across species boundaries; her latest book, Maureen (2016), is a creative nonfiction that explores the commonalities between institutionalized humans and institutionalized animals. Dr. Philip Howell is Senior Lecturer in Geography at Emmanuel College, University of Cambridge, specializing in geographies of regulating gender and sexuality in the city, as well as the ‘animal turn’ in human geography and literary geography. He’s the author of At Home and Astray: The Domestic Dog in Victorian Britain (2015), which explores historical transformations in the role of the dog in bourgeois homes and the mean streets of London – and how dogs were increasingly policed out of public space. The historian Jennifer Adlem is completing a PhD at Queen Mary, University of London, on canine psychopathology and types of madness and love in the bond between human and dog.

TUESDAY 29 NOVEMBER / DOORS 6:30PM, START 7PM/ GENESIS CINEMA, 93-95 MILE END RD, E1 4UJ / £5 TICKETS (info coming soon)

Venue information here.

Facebook event here.

 

Upcoming Event: HERITAGE FIGHT

1 Jun

Join us for an evening of film and discussion in an exploration of protest, conservation and environmental values in our screening of award-winning documentary HERITAGE FIGHT (2012).

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Directed by Eugénie Dumont, HERITAGE FIGHT follows the citizens and traditional owners (the Goolarabooloo) of lands in a small town in Australia’s last great wilderness. The film documents their daily struggle against the imminent danger of a liquified natural gas plant. HERITAGE FIGHT questions and listens. It draws on the perspectives of scientists, activists, politicians and businessmen, all determined to fight and protect what is priceless to them and all driven by a remarkable collective consciousness.

The screening will be followed by a panel discussion / Q&A featuring Prof. Jenny Pickerill (Professor in Environmental Geography at University of Sheffield and author of ‘Cyberprotest: Environmental Activism Online’), Dr. Adam Barker (Geography Teaching Fellow at University of Leicester and author of forthcoming ‘Settling: Invasion, Space-Making, and the Northern Bloc of Settler Colonialism’) and Dr. Peter Kilroy (British Academy Postdoctoral Fellow in the Department of Film Studies/ Menzies Centre for Australian Studies at King’s College, London. His current project explores the proliferation of documentary films made by, about or in collaboration with Australia’s ‘other’ Indigenous minority, Torres Strait Islanders).

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Monday 6th June / 6:30pm Doors / 7:00pm Start / The Book Club, 100 – 106 Leonard Street, London, EC2A 4RH /£5 Tickets

Buy tickets here.

Venue information here. 

Facebook event here.

Upcoming Event: Feminist Geographies – Girls and the Night City

18 May

Join us for an exciting evening of film and discussion exploring gendered power within the city at night. The event questions how a hunger for freedom can be threatened by spectres of danger for women in the dark city, provoking fear and vulnerability.

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Screening short ‘J’ai Faim, J’ai Froid’ (1984) from pioneering director Chantal Akerman, the film follows two runaway girls with an insatiable appetite attempting to navigate the Parisian night streets. Followed by the intoxicating debut feature from director Ana Lily Amirpour, ‘A Girl Walks Home Alone at Night’ (2014). Set against an ethereal soundtrack, a young chador-cloaked vampire skateboards through ‘Bad City’, a place that reeks of death and hopelessness, preying on its unsavoury inhabitants. The films bring to light the tense gendered space where fear meets desire, giving an ambivalent sense of women reclaiming the night.

The event will include short talks and a panel discussion involving Prof Gillian Rose (author of the acclaimed ‘Feminism & Geography: The Limits of Geographical Knowledge’, Professor of Cultural Geography, Open University), Dr Saaed Zeydabadi-Nejad (author of ‘Politics of Iranian Cinema: Films and Society in the Islamic Republic of Iran’, Senior Teaching Fellow, Centre for Media Studies at SOAS), Dr Sarah Marie Hall (Lecturer and specialist in the intersection of feminist, economic and social geography at University of Manchester) and Sophie Mayer (author of ‘Political Animals: The New Feminist Cinema’, and feminist film activist).

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Tuesday 31st May / 6:00pm / Genesis Cinema, 93-5 Mile End Road, London E1 4UJ / £5 entry

Venue information can be found here.

The facebook event can be found here.

Upcoming Event: Passenger Films and Precarious Geographies present “Nightcrawler”

8 Jan

Join us on Tuesday 19th of January for a screening and exploration of Dan Gilroy’s fascinating film ‘Nightcrawler’ presented by Passengerfilms in collaboration with ‘Precarious Geographies’ and Genesis Cinema.

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Set in the hyper-precarious world of contemporary LA, Nightcrawler is a disturbing critique of the neoliberal urban condition. Its protagonist, Lou Bloom, is a young man frustrated by an impenetrable labour market in which even unpaid internships are inaccessible. Bloom embarks on a mission to make his own fortunes by forging a career in crime journalism. Lou’s willingness to cross boundaries others won’t in order to get the goriest footage means his career rapidly gains momentum. His merciless pursuit of uncomprehendingly brutal footage is met by both horror and admiration by TV stations. But this is not just a film about a sinister individual; Lou’s prioritisation of ambition and commercial success at the expense of compassion and humanity is itself a reflection of LA’s logics and ethical landscape.

Following a screening of Nightcrawler this event will draw out themes of precarity than run throughout the film. Precarious Geographies (Ella Harris and Mel Nowicki) are delighted to host Dr Oli Mould (Royal Holloway) and Dr Will Davies (Goldsmiths) who will discuss the film, followed by an audience Q&A. The discussion will explore the film’s depiction of precarity in the contemporary condition, including precarity as entrenched in neoliberalism, the relationships between media representation and precarity, and precarity in contemporary labour markets.

Tuesday 19th January / 7pm / Genesis Cinema 93-95 Mile End Rd, E1 4UJ / Tickets £5 from Genesis Cinema website http://genesiscinema.co.uk/GenesisCinema.dll/WhatsOn?Film=1214382 

Facebook event: https://www.facebook.com/events/924419814309160/

 

Upcoming Event! Materials of Madness, June 23rd.

1 Jun

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Our next event on June 23rd seeks to explore the materialities of mental illness. The event features David Cronenberg’s psychological thriller Spider (2002), staring Ralph Fiennes and Miranda Richardson. The film reveals the intricate and confusing webs of bodies, objects and place which can be symptomatic of schizophrenia, blurring the line between fact and fiction and shattering both mind and body.

The event will include short talks and a panel discussion including Dr. Andrea Sabbadini, a practising psychoanalyst who is also Director of the European Psychoanalytic Film Festival, Prof Steve Pile, professor of Human Geography at the Open University and co-editor of Psychoanalytic Geographies (2014), Dr Felicity Callard (Durham), Reader in Social Science and Medical Humanities and Director of Hubbub (The Hub at Wellcome Collection), and Michael J. Flexer, PhD Candidate at the Leeds University Centre for Medical Humanities, studying cross-disciplinary representations of schizophrenia.

The event is £5 on the door and begins at 6.30

The venue is:

Jetlag Bar, 125 Cleveland Street,

W1T 6QB London, United Kingdom

(View map here)

Tuesday 14th June THE LONDON PERAMBULATOR and Psychogeography

23 May

Our next night back at the Roxy Bar & Screen will be an event on psychogeography, with a feature screening of John Rogers’ The London Perambulator (the film has a blog here which includes trailers and TV features), followed by a Q&A with John Rogers and with Nick Papadimitriou. They will be talking about the making of the film and its sources, as well as about their Resonance FM radio show, Ventures and Adventures in Topography (see blog), which combines perambulations in London with a look at old texts, guidebooks and maps.

Nick will also read a section from his forthcoming book, Scarp, about the North Middlesex/ South Hertfordshire escarpment, to musical accompaniment. We will also have a few words from Gale, Serena and Clare from the urban exploration project WALKWALKWALK , about their archaeological methodologies in routing and rerouting North East London, and from Roland Francois-Lack at UCL, who writes a daily blog about the connection between maps and film, THE CINETOURIST.

7.30pm, Tuesday June 14th, Roxy Bar & Screen, London Bridge.

Friday 20th May THE DAY OF THE TRIFFIDS and eco horror

22 Apr

Tom Goodwin (to Karen): Keep behind me. There’s no sense in getting killed by a plant.

For the first night of the UK Green Film Festival we’ll be showing Steve Sekely’s The Day of the Triffids (1962), the original film version of John Wyndham’s 1951 catastrophic novel, above. The film starts at 10.30pm, but come to the cinema early for a drink and a slice of Triffid cake designed by Cakes & Crunk!

We will have real carnivorous plants on display in the cinema bar and in the square outside, and will also be showing some rare book covers and botanical illustrations from the John Wyndham archive at the University of Liverpool.

Eco-horror/ Triffid costumes please! If you want to know some more about eco-horror, see the ‘Paranoia Paradise’ chapter in Kim Newman’s Nightmare Movies (1988), Sean Cubitt’s EcoMedia (2005), or Robin L. Murray and Joseph K. Heumann’s Ecology and Popular Film (2009).

10.30pm, Friday 20th May, Shortwave Cinema, Bermondsey Square